Hi Vogue, I'm Chloe. Grace Moran. We
are here in Paris today. Getting ready for Nicola
Jes K's 10th anniversary Lou V to show. Come
on in and let's get ready. This is my
suite. It has a beautiful view of Paris over
there and a little bit of the Eiffel Tower if
you look close enough, but we're running a little
bit late. So let's get some coffee and get
ready. So this is my glam squad. This
is Misha. This is Jacob. I got a
Bob last summer, which really becomes such a fixation
after a period of time because you end up going
shorter and shorter and shorter and shorter. And so
yesterday Jacob was in town and I was like,
can you come over and cut my hair just a
little bit shorter? We really wanted to do a
push back look that wasn't, you know, too
aggressive and still had a softness to it. So
it feels like there's a grab like you just ran
your hand through it. And then for make it
today, we really wanted to do a bold red
lip, an ox blood kind of deeper red.
I don't know, I feel like that kind of
red reminds me of Paris in some way. When
I was filming Hugo Cabre, I was 13 years
old and we filmed here in Paris in the middle
of the summer. And I thought it was such
a wonderful experience to be able to actually be here
for longer than a few days. Like with Fashion
Week, we're really only here for three or four
days, but being able to be here for a
longer period of time during the summer was just a
really beautiful experience when I was really young. They
would always go oh Le Petit mignon, le petit
mignon. So that's what I remember from being a
little kid in Paris with a lot of sweet people
calling me a le petit mignon. I don't know
what, what does it mean? A, a
little cute thing, a little cutie. There we
go today. The show is at the Louver where
Nicola does a lot of his shows is so amazing
because you're walking around, surrounded by so much art
and so much history and also seeing an incredible show
. At the same time. My mom always loved
fashion when I was growing up and had incredible,
you know, animal prints and things like that.
And sadly, as the years went by, she
got rid of so much for clothing. And I
remember being so sad because there were jackets that I
remember that just don't exist in were in her wardrobe
So definitely that was my first, I think foray
into, into fashion. And then on top of
that, you know, being on set and working
with costume designers, we do so much as actors
to kind of get into the right mindset, but
it's not until we're on set, putting our clothes
on and we look in the mirror and our hair
and makeup and our clothes are that of the character
and then we're ready. I mean, when we
get up in the morning, we put on our
clothes haphazardly and, and sometimes don't even think about
it, but all those little pieces make up who
we are and how we present ourselves to the world
. And so obviously building a character, it's this
awesome opportunity to figure out who she is. I've
grown up on film since I was five years old
. It's shaped so much of, of how I
am. And it's also given me a platform of
an incredible fan base of people that I can communicate
with and connect with. This year. I'm going
to be playing a UFC fighter in a movie and
I've trained in martial arts since I was a kid
. So it'll be an incredible opportunity to be able
to show those skills from when I was younger,
but also actually do a fight camp and we're going
to do a proper fight camp and that's going to
be really difficult and taxing and physically demanding. And
that is the kind of stuff that I really love
. It's always a battle getting the right width with
hair because too much width and it'll look crazy,
too little width and then my head's really small.
So I look like a, like a little pencil
head. I think you always get nervous. I
think whatever you, you, you know you care
about, you get nervous about. I think nerves
are always like for me it's a good inclination that
I care a lot about what I'm doing or why
I'm doing it this morning. We my stylist nell
who I've worked with since I was what? 12
ne Yeah, since I was 12, we worked
together and this morning she was like, ok,
she's Austrian. So and Anne has a bit of
a British accent. So I'm not going to be
able to answer ok, we're going to do a
meditation and I was like, ok, great.
So we did, we did like a 20 minute
meditation today. I think that kind of helped.
I feel pretty, pretty Zen. I've been working
with Louis Vuitton now since 2018. So I think
that's six years. Nicola is not even being hyperbolic
. He is the nicest designer out there and every
moment you spend talking to him, it feels like
he has your undivided attention and that's something that I
think is so beautiful and so rare. Ok,
Vogue, I'm done with my makeup. Let's go
get dressed. I'll see you in a little bit
. So this is the look today. Um,
it is this wonderful piece. It almost looks like
a top and a skirt, but it's actually one
dress this draping comes up and it gathers up here
on the shoulder, which I love so much and
there's something just so regal and chic and, uh
, and so Prist about it. II, I
really love this look. It's very classic, you
know, real problem putting earrings on one earring in
one earring. Potentially not. And what I love
so much about the Louis Vuitton family is that all
us girls know each other really well. So it's
always exciting to see who you're sitting with and you
get to talk to you and then we all have
a really fun night after and go dancing and sing
along to all the music we love. So I'm
just excited to see everybody and have a fun time
and yeah, I enjoy this beautiful show. I
heard it's, I heard it's insane. So I'm
pretty, pretty excited to see the set pieces.
Louis. Oh, hello. How are you?
Thank you lo for getting ready with me. Bye --> .